The essay explores the complex relationship between dance music and the Black artists who have embraced it, despite the genre's origins in predominantly Black, gay clubs in 1980s Chicago. It examines how Drake and Beyoncé's recent forays into house music have reignited discussions around the genre's roots and the perceptions of who "owns" it. The article delves into the backlash that has often accompanied Black artists' involvement in dance music, tracing a history of disrespect and confusion that has long been part of the genre's story. It also highlights how these artists are now being celebrated as exemplifying the current mainstream embrace of house music, underscoring the evolving dynamics around the ownership and appreciation of musical styles created by marginalized communities.